Phir unone mere lund ko kiss karne lagi or lund ko apane muh main lekar chusne lagi mujhe bahut maza aaraha tha mere muh se bhi awaj nikal rahi thi aa...aaaaaaa uuuuuuuuuuuuuuu hummmmmmmmmm phir hum 69 ki possion main aagaye or main un ki chut ko chatne laga kya gulabi chut thi ek bhi baal nahi tha un ki chut per main un ki chut chat raha tha or wo mere lund ko chus rahi thi main un ko apane jibh se chodne laga or awaje nikal rahi thi aaaaaaa ohhhhhhhh hummmmmmmmmmm or karo tumhare bahiya ye ye. It was supposed to be a copy of Vermeer’s Lacemaker, but had come out as a depiction of the artist’s sister, naked, bending over and about to be penetrated by several imperial phalluses. The sublimity of the artistic moment, it must be noted, is that in the frozen time of the painting the young girl is never exploited: she is only about to become thus violated. Each time I stared at the round, slightly plump, and pleasantly short figure of Miss Gilda, I seemed to be ensnared in this very same. More

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