"Murals areviewed from a distance so fine detail is only used minimally. Look atnewspapers - old ones if you can and see how the grainy images come in...ofocus from a distance. Move in. Move out. What we paint and what we seeare not the same. You need to have both in mind as you work..."There was a part of the wall he let me play around on, giving mepointers, and I'd done a small, crude clone vat, glass tubed and full ofoozing pink toxic waste. I'd worked on it in drawing class and my lunchbreak. " The man raised his massive arm and pointed out the door with one finger of his beefy hand extended. "Just follow that path to the right." He instructed Rosie, stepping back out the door and pointing at some indeterminate place seemingly beyond the horizon. "The wreck is about halfway through the yard. Did ya bring any tools?" What?" Was all Rosie could manage in response."This is a you-pull-it place." The man said, obviously expecting that to explain everything to Rosie. "If'n you want a. More

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